Suzy, a beautiful woman, is coming back to Paris to attend the funeral of her lover, a married man. Cecile, his wife, is holding Suzy responsible for his suicide. By finding Suzy in Paris, Cecile is trying to seek the truth by playing a psychological game on her.

Suzy, a beautiful woman, is coming back to Paris to attend the funeral of her lover, a married man. Cecile, his wife, is holding Suzy responsible for his suicide. By finding Suzy in Paris, Cecile is trying to seek the truth by playing a psychological game on her.

Model Hyunju, who has been selected by Kang Kang of CF company and has been successful, avoids physical relationships for true love with his lover. However, during the outdoor shooting, when the lieutenant Kang lost her innocence and confessed the fact to her lover, the disappointed lover goes abroad and marries another woman. In the midst of frustration and confusion, Hyun-ju decided to take revenge on Kang, and went to rival company of Kang.

Model Hyunju, who has been selected by Kang Kang of CF company and has been successful, avoids physical relationships for true love with his lover. However, during the outdoor shooting, when the lieutenant Kang lost her innocence and confessed the fact to her lover, the disappointed lover goes abroad and marries another woman. In the midst of frustration and confusion, Hyun-ju decided to take revenge on Kang, and went to rival company of Kang.

苏联大举入侵阿富汗，一坦克车队歼灭某部落，并将其首领辗死轮下，英勇的阿富汗勇士为报父兄之仇，率领该族勇士穷追坦克，并诱使陷入迷径，直至油粮枯竭。坦克兵柯佛奇克不满长官残酷冷血，而被弃于荒漠中，最后却协助阿富汗勇士围攻坦克，掳获苏俄兵……

《阿富汗之旅》1939年，世界第一位女冒险作家安玛莉和人类学博士艾拉一同踏上到喀布尔旅游的路，同行的两人心中却埋藏著各自追寻的目标。这两名同样从人生中逃跑的女人，一路上始终不停在相互为自己的观点而辩论，并享受棋逢对手的乐趣。在相濡以沫的旅程中，进而谱出一段温暖的友谊之爱。在她们到达阿富汗之时，正巧爆发二次世界大战，她们原本的计划也就此终结，但这趟旅程，是否就此结束了呢？

1985年，一位阿富汗难民少女的照片，出现在国家地理杂志的封面;慑人的海绿色双眸，仿佛道尽了阿富汗人民在常年战乱下，所遭受的苦难与恐惧，这张照片业同时深深撼动世人的心。十七年后，战地摄影师史提夫麦凯瑞，凭着这张他当年所拍的照片与些微的线索，前往难民营寻找这位女孩；经由联邦调查局的虹膜对比分析及面部辨识技术，阿富汗少女的身份之谜终于解开，她将再度透过深遂的眼神，代表阿富汗同胞向全世界诉说对和平的渴望……（清真书局）

After 30 years of war and a ban on music and dancing under Taliban rule, pop culture is back in Afghanistan. Millions are watching Afghan Star, an American Idol-style vocal competition. You know the drill: thousands audition, a dozen make the finals, then viewers whittle down the roster of contestants until only one is left. But this is more than a glossy copycat show. Music holds special cultural import to Afghans, who have gone decades without art or public performance. So although Afghan Star is entertaining TV first and foremost, it also symbolizes freedom of expression and peace. Voting by cell phone is a novelty to many-their first encounter with the democratic process. When a female competitor dances on stage and drops her headscarf, there's talk of retribution and threats of an honour killing. In Afghanistan, you risk more than YouTube humiliation when you sing; you risk your life.